| Shadowbug 4
We Are Beginning Our Descent (Soleilmoon) 2001
In 2001, Randy Greif released the second Shadowbug 4 CD, titled "We Are Beginning Our Descent", and continues his themes of depression and anxt by way of dark ambience, slow beats, glitchy electronics and cut-up voices. There are even a few moments here of odd orchestral arrangements amid the pulses and unrecognizable sounds. The Guide has this to say--This CD enters the territory of folks like Bill Laswell, Mick Harris / Scorn, Eraldo Bernocchi, DJ Spooky... jazzy hip-hop drums, weird noises, dubbed out guitars, bleeps 'n' bloops, string riffs, and the bass...Randy had moved into the territory of some master beathandlers, which could be a losing effort for him, but it's not. He handles the material with aplomb...This is a top-notch release. I've listened to it several times and (no higher praise, really) included tracks from it on mix CDs I've made for others." Complete review.
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| War Of The
World (Soleilmoon) 2001
As a follow-up to his 6 hour electro-psycho adaptation of "Alice In Wonderland", Greif returns to putting classic literature through the sonic meat-grinder. This time around, though, the work is far more abstracted, and uses the novel as more of a springboard for contemporary ideas relating to war--on a global level, a psychological level, and our own resistance to evolving from organic to digital beings. Even more than the novel itself, Greif incorporates the Orson Welles radio-drama hoax to explore the realm of dis-information and scrambled information, as well as the audience reaction of fear, even to the point of suicide, when faced with the unknown. "War Of The World" is subtitled "an emergency broadcast" as its overall effect was to approximate the feeling of listening to radio transmissions in an emergency situation (inspired during the Northridge earthquake). The feeling is sometimes a jumbled confusion of reports, snippets of speech with interference, electronic noises, and other mysterious bits and pieces. Then, later, to actually meld into the emergency drama itself complete with (non-musical) soundtrack. But dont expect a book-on-tape sort of thing--not even close. "War of the World is a dense, demanding deconstruction that's part audio collage, part political treatise, part industrial symphony and altogether ahead of its time."-- Sci Fi Channel review
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| Alice In Wonderland
(Reissue) (Soleilmoon) 2000
The long out-of-print 5 CD set of Alice In Wonderland has been re-issued on Soleilmoon. All five cds are presented together as a boxed set and have been re-mastered for this release. Randy Greif created completely new artwork for his CDs, as well as a set of "Alice in Wonderland" trading cards that are published in conjunction with the release. Five cards are included with each box set, and individual packs of cards (to complete the set of sixty) are available through Soleilmoon. Article. Review |
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| Shadowbug 4
- Tiny Voices Of Love And Fear (Soleilmoon) 1999
Under the name of Shadowbug 4, Randy released this CD, leaning more towards song structure, although the instrumental tracks push the limits of that definition. The only vocals used are extremely chopped up and manipulated electronically. An Ambientrance review begins with "Under the monicker of Shadowbug 4, Randy Greif speaks in a dark, unknown tongue, understandable only by the most primal senses." and ends with "... keeps the decidedly warped overtones of Tiny Voices Of Love And Fear fresh for future contemplations of isolation and insanity, or whatever morbid conditions you choose to read into these bleak waves of sound." Complete review |
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| Oedipus Brain
Foil - Randy Greif / Robin Storey / Nigel Ayers (Soleilmoon)
1997
This 3-CD set is Randy Greif in collaboration with Robin Storey (of Rapoon / Zoviet France) and Nigel Ayers (of Nocturnal Emissions), and explores a very ambient side of their work, but retains a disturbing edge. (see http://www.spiderbytes.com/ambientrance/intobf.htm for interview). On one of the 3 CDs, titled "Build A Poison Fire", Randy used Nigels source material exclusively. The second CD, titled "Nail Of Pious Bride" was created by Robin using Randys source material, and the third, "Perfidious Albion", had Nigel using Robins material. Ambientrance has this to say..."those who are inclined toward amorphous, evolving sound entities with a freakish life of their own will find a strange new world within this box of twisted dreamscapes." Complete review |
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| Verdi's
Requiem (Soleilmoon)1997 Through electronics and sampling, Greif abstracts the imagined events of Giusseppe Verdi's life and interprets them musically. Has nothing directly to do with Verdi's similarly titled "Requiem". |
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Singing The Boundaries (Manifold) 1997 Collaboration with R. Kitch and Jeph Jerman under the name His Masters Voice Like the unjustly forgotten "On Land" (by Brian Eno) and the best work of O Yuki Conjugate and Jorge Reyes, this communication from His Master's Voice inhabits the same physical and spiritual geography it describes." --Alternative Press |
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Globus And Decibel (Swinging
Axe / Freedom In A Vacuum) 1997 "...if you're looking for a well-formed compilation by a small
group of talented people, I would highly recommend this disc to you.
A very well-paced disc with some exemplary work by these artists."--Incursion
complete review
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In Our Little Bodies (Old
Europa Cafe) 1995 " "In Our Little Bodies" is a great match up of two
very unique artists. OEC is known for their high calibre of quality
experimental noise music, and this disk fails to disappoint."--Last
Sigh complete
review |
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| Fragment 56
(Swinging Axe/Complacency) 1995 collaboration with Dan Burke "They mix dark electronic tones with rhythmic, albeit non-traditional soundmaking--dripping, buzzing, rattling, banging--to create moods that are mysterious and beautiful and very strange."--CMJ Report Two long time veterans in what some still call industrial music team up for a collaboration CD of utterly high class."--Vital complete review |
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| The Barnacles Inside
(Staalplaat) 1994 "...noisy industrial musings to looped cyclical works involving chimes and fussy machinery to ethereal sound collages to drifting musique concrete...manages to keep his perambulating creations lively..."--Option |
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| To Step Outside And Keep
Walking (Swinging Axe/Freedom In A Vacuum) 1994 This is a four person compilation of which Randy Greif has approximately 20 minutes ...in one long electronic soundscape entitled "No Ordinary Storm" which builds in intensity from a very soft atmospheric beginning to a violent crashing end. |
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| Alice In Wonderland Parts
1 to 5 (Staalplaat) 1990-92 A 5-Part, 6-Hour setting for Lewis Carroll's classic text set to darkly hallucinatory treatments. Alternates from filmatic background to rhythmic "songs" which use the spoken text as "lyrics" to the, deconstruction of the spoken word into phonic sound. "...no doubt the music world's most extensive adaptation yet. And its most adventurous." --(Tower's) Pulse |
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| Certain Random Firings (Swinging
Axe) 1990 As member of 2-person group called Static Effect |
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| Bacteria And Gravity (RRR) 1987 | ![]() |
Randy Greif |
| In A Foreign Tongue (Anomalous) 1994 |
| Shadow Traders (Swinging Axe) 1988 |
| Live In L.A. (Swinging Axe) 1987 |
| Golden Joy Club (Swinging Axe) 1986 |
| Easy Green Proof (Swinging Axe) 1985 |
| Wireless Spine Review (Swinging Axe) 1985 |
| Lost Contact (Swinging Axe) 1984 |
| It's In A Box (Swinging Axe) 1983 |
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| With the group Static Effect |
| Live-1990 (Swinging Axe) 1990 |
| Dead Game In Any Weather (Swinging Axe) 1990 |
| Siamese Twin Reflex (Swinging Axe) 1989 |
| Axis Of Rotation (Swinging Axe) 1989 |
| Tower of Iron (Swinging Axe) 1988 |
As Screaming Dukduks |
| Fuck the Dog (Swinging Axe) 1984 |
| Screaming Dukduks (Swinging Axe) 1983 |
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